The Basics of Costing & Pricing

Striking the Right Balance: The Intricacies of Costing and Pricing in the Apparel Industry

In the highly competitive and detail-oriented world of apparel manufacturing, finding the perfect balance between cost and price is more than just a business activity; it's a necessity. This equilibrium is essential for ensuring a healthy margin that benefits every stakeholder involved, from the raw material suppliers to the retail sellers. Given the industry's notorious reputation for operating on razor-thin margins, the cost implications of seemingly minor decisions—such as adding an extra button or introducing an additional color to a screen print—can quickly accumulate, making the difference between profit and loss. In a sector where economies of scale are the norm, the additional cost of one cent per button may appear negligible on a single garment, but when applied to tens of thousands, the financial impact becomes significant.

The process of costing a garment is a complex puzzle that apparel companies spend considerable resources to solve. The journey of a garment from concept to consumer involves multiple stages, often spanning several countries for sourcing materials, manufacturing, and finally, selling. Companies rely on dedicated teams "on the ground" to navigate the labyrinth of global politics, weather conditions, and regulatory landscapes to secure the best prices for materials and ensure timely production and shipping. Despite the complexity, understanding the basic principles of product costing and pricing is invaluable, not only for industry insiders aiming to launch their products but also for those interested in gaining insights into market trends and competitive pricing strategies.

Cost Breakdown of a Garment: An Overview

An example “Cost Sheet” created by FIBR studios. 

Basic Overhead and Fees: Before diving into the direct costs associated with producing a garment, it's crucial to acknowledge the overhead and fees that contribute to a company's operational expenses. These include the creative and technical design phases, materials sourcing, and production management. While these costs are not directly attributed to any single product, they are essential for running a successful apparel business, and are typically considered as part of a company’s overhead. Activities include: Creative design, technical design, materials sourcing, and production management.

Product Design Costs: Each garment begins its journey as an idea, translated into a costing sheet that meticulously captures every material and embellishment cost. Moreover, these calculated costs are influenced by the Minimum Order Quantities (MOQs) required by the manufacturing facilities. MOQs represent the least number of units that must be produced in a single order and often start at around 400 pieces for each style. This stipulation is in place primarily because the initial setup of the production line represents a significant cost to the factory, irrespective of the production volume. For brands producing in larger volumes, leveraging an average cost model becomes a strategic choice, offering a buffer in managing shifting production costs and potentially increasing their profit margins. This approach to product design costing underscores the intricate balance between creative vision and economic practicality that defines the apparel industry.

Here’s an example of a T-Shirt, with a 400 MOQ:*

Fabric (cotton): $2.50

Logo print: $2.00

Thread: $0.25

Collar hang tag: $0.50

Care label: $0.25

Sub-Total: $5.50

Production Costs: Beyond the direct material costs, additional costs are incurred during the actual production (cut & sew) and finishing stages of garment production. These can include treatments to the fabric, as well as packaging costs, which ensure the final presentation and protection of the product.

Let’s continue with the T-shirt:*

Cut & Sew: $2.50

Finishing: $0.75

Price Tag: $0.50

Plastic Wrap: $0.25

Sub-Total: $4.00 (added to the product specific costs, resulting in $9.50)

Duties & Taxes: The global nature of apparel manufacturing introduces duties and taxes as significant factors in costing. The specific charges depend on the countries involved in the manufacturing and importing process, highlighting the importance of understanding international trade agreements.

Again, using the example of a T-shirt, assuming that it’s coming from a place like China or India:*

$0.25 per shirt

Sub-Total: $0.25 (added to the production costs, resulting $9.75)

Shipping & Warehousing: Once products have gone through quality control and have been packed in containers, they are then shipped by sea or air to their final destination country or region. For most organizations, this means products arriving at a main warehouse, before being shipped to regional distribution centers or direct to stores. For e-commerce, products may stay in the warehouse and then be "picked and packed" and then sent directly to the end consumer. These costs can be significant, so ensuring proper time for shipping is very important.

In the case of the T-Shirt:*

Estimated cost: $0.25 per shirt

Sub-Total $0.25 (added to duties and taxes, resulting in a "FINAL COST" of $10.00)

Wholesale Pricing: With the final cost established, companies set a wholesale price that incorporates a profit margin. This step is critical for businesses that operate on a B2B model, selling to retailers, but is also crucial for companies that are fully vertical in order to establish a common wholesale price. Typical mark-up is at least double or 2x, which is often called "Keystone" in the apparel industry. However, depending on the product category (ie. Accessories) or the price sector (ie. Luxury), mark-up can reach 4x and above.

Using the T-shirt as an example, with a keystone (2x) mark-up:*

$10.00 x 2 = $20.00 per shirt, indicating a profit margin of $10.00 per shirt.

Retail Pricing: The retail price is set to ensure that the seller makes a profit while remaining competitive in the market. It also provides money to cover overhead costs specific to retail, such as equipment, technology and marketing. It also covers markdowns (sales) and promotions. As it is with wholesale mark-up, typically retailers start with a baseline of 2x, but shift depending on the product category or price sector.

In this case, the T-Shirt with a keystone (2x) mark-up:*

$20.00 x 2 = $40.00 per shirt, indicating a profit margin of $20.00 per shirt.

Note that a vertical retailer who produces and sells their products will essentially have two profit margins built-in. While there is potential for some additional profit to be generated, keep in mind that these companies still have overhead costs related to their wholesale and retail activities.

Understanding the markup strategies for wholesale and retail can offer insights into competitors' pricing and cost structures, helping businesses identify strategies for cost reduction or price adjustments to enhance profitability. For example, a $35 shirt at retail, can tell us that the approximate wholesale price is approximately $17.50 and the final cost, plus duties and freight, is approximately $8.75.

* Please note, the above example represents an overly simplified breakdown and is meant as an educational tool rather than an exact representation of costs.

An example of a basic “music merch” mark-up strategy.

Refining the Approach to Music Merchandise Costing and Pricing

The music merchandise sector unfolds its own set of complexities and opportunities in the realm of product costing and pricing, distinct from the traditional retail apparel industry. In the music world, merchandise sales are often tied directly to tours rather than to a consistent retail presence. This creates a unique scenario where, unlike seasonal fashion retail, music merchandise benefits from the possibility of scaled production and replenishment over time. This aspect introduces fewer variables into the merchandising mix but complicates the retail strategy, making each point of sale a unique event in itself.

However, the industry often overlooks the potential for optimizing cost and margin strategies within music merchandise. The prevailing practice among artists is to purchase generic "blanks" and customize them with logos or graphics, or to work with companies whose sole focus is graphic design and printing. This route, while seemingly efficient, forgoes the nuanced control over design and production costs that could lead to improved profit margins—a strategy well-exploited in the broader apparel sector. Moreover, this approach leads to a homogenization of merchandise, minimizing design possibilities, diluting market competition and consumer excitement.

The logistical strategy—or lack thereof—further exemplifies the untapped potential in music merchandise. Artists and their teams frequently adopt a minimalistic approach to inventory, ordering the smallest feasible quantity of merchandise and replenishing as needed. This method, while conservative, results in a piecemeal sale and distribution process, where merchandise is continuously shuffled between venues, leading to fragmented offerings and sizes. This ad-hoc management extends to warehousing and shipping, areas where strategic planning could unlock additional margins and less cost overall. Consequently, the retail experience often becomes an afterthought, characterized by nondescript setups and the reliance on fan loyalty to drive sales, despite potential deterrents like long lines and uninspiring presentations. Sales of merchandise shouldn’t come as a surprise!

Adopting a more comprehensive strategy that encompasses everything from tour dates and expected audience sizes to considerations of sustainability post-use could revolutionize the music merchandise sector. By embracing early planning and a deep understanding of the merchandise lifecycle, artists and their teams can enhance cost efficiency, offer greater value to fans, and pave the way for a merchandising approach that not only significantly boosts the artist's brand but also sets a new standard for profitability and sustainability in the industry.

Joshua T Williams

Joshua Williams is an award-winning creative director, writer and educator.  He has lectured and consulted worldwide, specializing in omni-channel retail and fashion branding, most recently at ISEM (Spain) and EAFIT (Colombia), and for brands such as Miguelina, JM, Andrew Marc and Anne Valerie Hash.  He is a full time professor and former fashion department chair at Berkeley College and teaches regularly at FIT, LIM and The New School.  He has developed curriculum and programming, including the fashion design program for Bergen Community College, that connects fashion business, design, media and technology.  His work has been seen in major fashion magazines and on the New York City stage. Joshua is a graduate of FIT’s Global Fashion Management (MPS) program, and has been the director and host of the Faces & Places in Fashion lecture series at FIT since 2010.

http://www.joshuatwilliams.com
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